

Frontier RIfeman
Interesting and useful
Very informative

One of the Best Bike Books Available
Great Book
Elroy Sparta Trail Guidebook

Harsch takes the reader on another wild ride.
Cool Book!
Back to the Zone, But Even Better!

Only centered on a fewWhile it gives a good account of the some of the deeds performed by Morgan's men, it should have been more centered on the entire group not just a few. Maybe there will be a follow up with more emphasis on the entire regiment?
A valuable addition to the research library

Search for Meaning in a Small TownThe aptly named Spleen is the alienated hero of Harsch's first novel, THE DRIFTLESS ZONE. While everyone with ambition or talent has happily escaped, Spleen has opted to remain behind in his hometown, a depressed area in Wisconsin called La Crosse. Spleen's lack of motivation may be attributed to his having learned that life has no meaning, but, absurdly, he can't help but pretend that it does. After stalling a good long while, he falls in love and quickly regrets it. His failure is partly due to his own real lack of initiative and partly due to his inability to discover a worthy object. This simple romance plot is made poignant by virtue of its relationship to the novel's larger theme of indeterminacy.
Without fixed references, Spleen is reduced to primitive means of searching for significance, to augury for instance, and to reading into appearances. Spleen's world is best described as a post-modern allegory, the meaning of which, while strongly suggestive, is ever illusive. La Crosse is populated with personifications instead of people, characters with names such as "Roman" a Roman seer of sorts, "Darwin" (one of this first characters on the scene who sets the tone for the story as Charles Darwin did for the 20th century), "Fag With No Eyebrows," and Spleen's lover "Sneering Brunette." This could be Bunyan--or Langland. The novel's obsession with determinism would be almost medieval but for its post-modern twist. The determinism is genetic and cultural, not providential.
If this situation is sadly comic, it epitomizes the ineffectuality of hope in anytown America. The call for a return to meaningful content throws back a hollow echo. But Harsch is not merely cynical. It is clear that the radical indeterminacy that ails Spleen is tragic BECAUSE of his covert nostalgia for essential meaning behind the sign. Harsch has dubbed the contemporary hero, "Noir Man." The "only reason he believes in anything is because he tells himself he has to or he can't act." Such self-aware practicality makes Spleen a likeable character on the one hand, but, on the other hand, his assumed posture of belief makes him superficially like any of the flat allegorical characters that surround and limit him. And eventually destroy him. Nevertheless, the potential for what was once known as real human heroism is there. It is this that makes the story interesting.
In the novel, none of the characters is capable of communicating with any other, but Harsch opens up the inner existences of these stock types TO THE READER, beautifully expressing the Sneering Brunette's pleasure, for example, as that which "lay bruised and hungover, empty from vomiting, dialing a telephone, marvelously spent, attenuated and unafraid." Harsch's insights suggest that while motivation is apparently absent from the world, it seems very real to the individual. As we approach the end of the millennium, writers are looking for the next new direction. Harsch, coming out of a post-modern orientation, carves out the space for an entirely unique kind of optimism, and if he doesn't attempt to fill that space yet, one gets the feeling that he, or someone, soon will. THE DRIFTLESS ZONE is an artfully written novel that is worth reading more than once.




